The New Musical Express is not, I imagine, a publication much consulted by readers of The Literary Review although it has a circulation of nearly a quarter of a million -.mostly among young people in their late teens and early twenties. The NME, as it likes to be called, has a number of fascinations: contemporary […]
This fascinating study of the ways in which the Victorians approached the past reveals far more about Victorian values than volumes of Victorian anthology. Interest either in antiquity or in the middle ages – and the interest could be complementary or antagonistic was not confined to an elite of artists and social critics. It ran […]
Asked to name the greatest American poet, Robert Lowell once replied ‘Milton’. The joke had a point to it. Contemporary English poets in the mainstream admire poets like Marvell or Robert Graves who set themselves limits and succeed within them. Ambition and scale are the American dream, the American hang-up. Added to the intensity of […]
A lot of funny stories about Norman Mailer have reached us from across the Atlantic through the years, each one adding to the increasingly complex sum of his legend: Mailer Stabs Wife, Mailer Runs for Mayor, blacks the eye of Gore Vidal, gets arrested for disorderly conduct, boxed John Updike at two a.m. on a […]
‘It is unlikely’ Patrick Taylor-Martin writes, ‘that even Betjeman’s most fervent admirers would claim that he was a major poet.’ Is that so? What, then, are we to make ofchristopher Booker’s claim that ‘A Lament for Moira ‘McCavendish’ is the most heartrending poem in the English language? How are we to take the constant adulation […]
Some time ago, on the anniversary of Grace Kelly’s death, an amiable-sounding clergyman called Monsignore Piero Pintus suggested that she ought to be made into a saint. ‘She was an excellent actress who was ‘never involved in any scandal. She gave up a lucrative career to become a wife, a mother and a sovereign’.
Last year on March 3rd the bodies of Arthur and Cynthia Koestler were found in their house in Montpelier Square. Koestler’s membership of Exit was well known. His belief in voluntary euthanasia can be traced back to the way he overcame the terror of an operation in childhood. He described in Arrow in the Blue […]
The sky was as black as ink and we could scarcely see the lights of the disappearing port. A chill, damp wind whistled, yet we felt stifled by the heavy rain clouds above us. The crew had trooped onto the lower deck to draw lots. Ribald jokes were exchanged to the accompaniment of loud, drunken […]
Firebird is our most important annual anthology of new writing; part commissioned, part selected from submissions. Last year Robin Robertson extended his editorial catchment area to include poetry and this year travel writing is represented briefly (he only gets as far as North Yorkshire) by Peter Levi. As was the case last year, women do […]
In ‘Burnt Norton’, T S Eliot tells us that ‘human kind / Cannot bear very much reality’. You could say the same thing about eighteenth-century verse with more justice. The Augustans could bear much more propriety than now seems tolerable. They were easily shocked by breaches of decorum: Dr Johnson, commenting on Shakespeare’s King John, […]
For those of us who can’t afford our own sensory deprivation units, Ellen Gilchrist’s The Anna Papers is a cheap but effective substitute. Instead of going to all the bother and expense of suspending yourself in a vat of lukewarm saline solution, and excluding every vestige of light and sound, now all you need is […]
Eco’s thoughts on his astonishingly successful novel were originally published in an Italian journal in 1983, and subsequently reprinted as a free supplement to the Italian paperback edition of the book. This translation by William Weaver may therefore seem rather expensive for such a brief piece, but it contains a lot of fascinating information for […]
I thought Max Beerbohm’s dictum that premature greyness is the sign of a charlatan was a generalisation born of a particular dislike till I flew by Royal Air Maroc. Now I see that he must have suffered some experience peculiarly precursive of mine on flight 914 B, Tangiers to London. Two dozen or so of […]
Trevor-Roper is an historical essayist rather than a constructive historian like Trevelyan, creatively building book upon book with big significant subjects, and with the proper organic structure a book should have. Nearly all these essays have been published before; but I am grateful to have them conveniently gathered together.
In Graham Swift’s Waterland, a young historian absorbed by the history and mystery of the Fens finds himself faced with the question of how history differs from story-telling and legend. Swift’s precision as a writer enables him to treat each strand of the question separately and yet do justice to the whole.
Some kind soul must have sent Kingsley a crate of milk of magnesia. Free of the rancid , dyspeptic tone that has corroded most of his recent work, Difficulties With Girls perks with so much curiosity and energy it might have been written in the year in which it’s set, 1968. The characters coping with […]
Frances Borzello is firmly on the side of women, art, and, luckily for us, readers. As editor with A L Rees of The New Art History, she has a firm hold on available art scholarship but adds to this a joyous, assured conversational style. Thus she starts: I want to state that the situation of […]
The nineteenth-century painter Benjamin Robert Haydon was convinced that his best works rivalled the masterpieces of the Renaissance – a judgement facilitated by his near-blindness. Standing in front of one of them, his noble, ugly face masked by several pairs of spectacles, he exclaimed: ‘What fire, what magic! I bow and am grateful.’ Wordsworth, who […]
J G Ballard’s new novel is as the title implies a psychopathic tour-de-force, in which the author’s genius for suspense, powerful atmospherics and evocation of place is displayed with consummate skill. For the past thirty years Ballard has remained the most original voice in English fiction, always eschewing the easy stage-props of his contemporaries, and […]
This book is the abridged English translation of two volumes that originally appeared in Norwegian, the first in 2006 – the centenary of Ibsen’s death – and the second in 2007. It is the fourth major biography of Ibsen to appear in English since 1931. All four are quite hefty volumes, de Figueiredo’s not least, […]