October 2023, Issue 523 D J Taylor on Ian Fleming * Avi Shilon on Golda Meir * David Wheatley on Seamus Heaney’s letters * Sue Prideaux on Monet * Eileen M Hunt on Mrs Orwell * Seamus Perry on Vesuvius’s visitors’ book * Darrin M McMahon on the history of inequality * David Gelber on Austria * Don Paterson on music criticism * Martin Vander Weyer on Elon Musk * Peter Davidson on Proust’s manuscripts * Tim Hornyak on face recognition technology * James Purdon on J M Coetzee * Suzi Feay on Jeanette Winterson * Uilleam Blacker on Witold Gombrowicz * and much, much more…
The Current Issue
D J Taylor
Ian Fleming: The Complete Man
By Nicholas Shakespeare
Anthony Powell, two and a half years older than Ian Fleming, remembered him as ‘one of the few persons I have met to announce that he was going to make a lot of money out of writing novels, and actually contrive to do so’. Fleming and his older brother, Peter, turn up in Faces in My Time (1980), the third volume of Powell’s memoirs, in connection with the short-lived 1930s magazine Night and Day, with Peter filing editorial notes and Ian raising money for the magazine in the City. Coming across a bound volume half a century later, Powell was immediately struck by what he called the ‘Fleming impact’. One of the signature marks of Nicholas Shakespeare’s new biography is its terrific sense of clannishness. Rarely has there been a collective unit whose members looked out for, supported, interfered with and privately disparaged each... read more
More Articles from this Issue
Seamus Perry
Volcanic: Vesuvius in the Age of Revolutions
By John Brewer
The origins of this study lie in John Brewer’s discovery, in Harvard’s Houghton Library, of a tatty visitors’ book which once belonged to the hermitage of San Salvatore on the slopes of Mount Vesuvius. The book, which covers a couple of years in the late 1820s, eloquently testifies to a busy tourist trade. Drawing on this information as well as a remarkable number of contemporary memoirs and letters and writings that he has hunted down, Brewer has produced a diverting and voluminous... read more
Sue Prideaux
Monet: The Restless Vision
By Jackie Wullschläger
You long for sublime artists to be sublime people. Or, if they’re bad, to be magnificently so. Possessing ‘a vanity born of supreme egoism’, Claude Monet ‘believed his art conferred a right to good living’ and that ‘his welfare must be … the immediate concern of others’, writes Jackie Wullschläger, chief art critic of the Financial Times. With great honesty, Wullschläger records her subject’s wearisome scrounging letters and his propensity for petty and often pointless mendacity. At the end of his life, when he was... read more
Tim Hornyak
Your Face Belongs to Us: The Secretive Startup Dismantling Your Privacy
By Kashmir Hill
You’re at a gathering. A stranger snaps a photo of you with a smartphone, then proceeds to tell you your name, your employer, where you live and perhaps your political affiliation. If this party trick sounds like the stuff of science fiction, it’s not. Face-recognition technology is nothing new. It’s widely used to unlock phones and other devices, and in a growing number of settings involving identity authentication, like airport security. You voluntarily register an image... read more
David Gelber
Austria Behind the Mask: Politics of a Nation since 1945
By Paul Lendvai
The foundation stone of the modern Austrian state was the so-called ‘victim myth’. Following the defeat of the Nazis in 1945, the idea took hold that Austria had been the first casualty of Hitler’s aggression when in 1938 it was incorporated into the Third Reich. Memories of ordinary Austrians waving Swastikas as German tanks rolled in, tossing flowers at stormtroopers and flashing smirks of approval as Jews were forced... read more
Darrin M McMahon
Visions of Inequality: From the French Revolution to the End of the Cold War
By Branko Milanovic
For much of the 20th century, economists lost interest in history. That was particularly true of neoclassical economists in the West during the Cold War. Beguiled by the notion that theirs was an absolute science amenable to pure mathematical abstraction, they turned their backs on the record of experience. ‘Economics became the science of the present, slightly related to the future … but fully disconnected from the past’, Branko... read more
James Purdon
The Pole and Other Stories
By J M Coetzee
Novelists seldom grow old gracefully. ‘All writers go off,’ as the late Martin Amis once put it, and while they are hardly unique in that respect, when writers go off the consequences can be dire. A late run of mediocrity has a way of souring a literary legacy, which is one reason why new books by distinguished writers make reviewers nervous. Have they finally gone off? Happily, J M Coetzee seems to be one of the rare exceptions; rather than running out of steam, he has slipped comfortably into a late style. The stories... read more
Most Read
moreD J Taylor
Ian Fleming: The Complete Man
By Nicholas Shakespeare
Sue Prideaux
Monet: The Restless Vision
By Jackie Wullschläger
Darrin M McMahon
Visions of Inequality: From the French Revolution to the End of the Cold War
By Branko Milanovic
Seamus Perry
Volcanic: Vesuvius in the Age of Revolutions
By John Brewer
David Gelber
Austria Behind the Mask: Politics of a Nation since 1945
By Paul Lendvai
From the Archives
moreFrom the March 2020 issue
Peter Conrad
Warhol: A Life as Art
By Blake Gopnik
From the June 1999 issue
Christopher Hitchens
Some Times in America
By Alexander Chancellor
From the June 1989 issue
Hilary Mantel
What am I Doing Here
By Bruce Chatwin
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‘For painting on water, Monet had his studio boat fitted with grooves to hold multiple canvases so he could dab at them in turn as the light changed. He said he had just seven minutes to capture an effect.’
Sue Prideaux on Claude Monet’s ‘divine art’.
Sue Prideaux - The Road to Giverny
Sue Prideaux: The Road to Giverny - Monet: The Restless Vision by Jackie Wullschläger
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#CoverOfTheWeek has been awarded to the latest issue of @Lit_Review, October 20223 🕵️♂️
Cover feature: @djtaylorwriter reviews 'Ian Fleming: The Complete Man' by @dolphinsands.
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‘Fosse’s grey verbal palette’ allows him ‘to freight his story with a sorrow that is all the more painful for its constant proximity to the boredom and frustrations of real life’.
@John__Phipps on Jon Fosse, who has won the Nobel Prize in Literature.
John Phipps - Miles of Asles
John Phipps: Miles of Asles - I is Another: Septology III–V by Jon Fosse (Translated from Norwegian by Damion Searls)
literaryreview.co.uk