Ray Monk
And, Er, That’s It
The Solitaire Mystery
By Jostein Gaarder
Phoenix House 292pp £15.99
Who are you? Where do we come from? These, in the world of Jostein Gaarder at any rate, are the central philosophical questions. Being in thrall to these questions, succumbing to their charm and feeling the depth of their unanswerability, is what, in Gaarder’s opinion, distinguishes the philosopher from the herd; where the herd sleep peacefully, the philosopher is kept awake by the nagging insistence of the demand to ‘know thyself’. The philosopher is thus, in some sense, more alive than others, and Gaarder evidently sees it as his task to awaken the philosopher in all of us; to keep us, so to speak, from dozing off again.
It is a naive view of philosophy, and one completely at odds with current practice. Philosophers today don’t talk much about ‘knowing thyself’ (did they ever?); they produce inaccessible articles, which few people read, on pseudo-technical subjects such as the ‘assertibility-conditional theory of meaning’ or ‘idexical reference’ . Often, they
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
Give the gift that lasts all year with a subscription to Literary Review. Save up to 35% on the cover price when you visit us at https://literaryreview.co.uk/subscribe and enter the code 'XMAS24'