Alan Taylor
Keeper of the Locked Cabinet
It was by chance rather than by design that I became a librarian. I had been working in London for the civil service when a family crisis required me to up sticks and return to Scotland. In urgent need of a job, I studied my qualifications and found that my options were, to say the least, limited. What was I good at? I was a reasonable footballer but no Jimmy Greaves or Denis Law. I could conjugate sentences in French and German but I was never going to be able to translate Proust or Goethe. Then it hit me. I had read a lot of books; I would become a librarian.
On the recommendation of a friend of my father, I wrote to the city librarian of Edinburgh, who replied by return of post calling me to an interview. It took place in the boardroom of the Central Library on George IV Bridge. He asked what I was reading. Like everyone else at the time, I was deeply immersed in Middle Earth. This didn’t seem to appeal to my potential boss. The conversation turned to sport. Did I play table tennis? I was asked. Luckily for me, I did, and we
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk