Allan Massie
In Brigand Country
When asked to name the living writers he admired, the intolerable hero of Cyril Connolly’s novel The Rock Pool replied, ‘Eliot, Joyce and Norman Douglas.’ Douglas was indeed much admired between the wars, especially for his Capri novel, South Wind. Now I suppose he is little read and when mentioned in the press has the word ‘paedophile’ attached to his name, though ‘pederast’ might be more accurate. When I was young myself, in my early twenties, I aspired to write his biography. A foolish notion, for I was unqualified to do so on account of my immaturity. Two writers better equipped than me – Constantine FitzGibbon and John Davenport – had already embarked on a biography and given up.
I failed, of course, to write the book, but I don’t regret the enterprise. Anything but! Research, or the pretence of research, took me to the south of Italy for three months in the spring and early summer of 1964. Old Calabria, the fruit of several visits to that wild and impoverished region, with its distant and seductive echoes of antiquity, was Douglas’s best book, published in 1915. It’s astonishing and melancholy to reflect that more years have passed
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk