Tim Smith-Laing
What Are the Odds?
Luck: A Personal Account of Fortune, Chance and Risk in Thirteen Investigations
By David Flusfeder
Fourth Estate 304pp £16.99
Big Snake Little Snake: An Inquiry into Risk
By DBC Pierre
Cheerio 176pp £14.99
Everybody has a luck story. The ones we tend to tell are the good-luck tales, for the simple reason that we can make so much hang on them. The worst form of bad luck is unexpected death; the best form of good luck is unexpected survival. The former serves as a full stop; the latter renders all that follows it, no matter how mundane, numinously improbable and extraordinary. If it weren’t for X, I wouldn’t be here today, shopping in a Tesco Metro. My own version of this would be the train of events that brought my French-Jewish grandmother and my Scottish grandfather into each other’s orbits on the deck of a neutral Swedish ship in 1944 – she escaping from occupied France to America, he being repatriated to Britain after losing an arm during the invasion of Sicily. Extraordinary that either of them should have survived the war; extraordinary that they should intersect as they did; extraordinary that I should be sitting here typing these words.
David Flusfeder’s luck story is his father’s survival as a Jewish Pole in the Second World War, against odds ‘so steep as to make it statistically negligible’. Joe Flusfeder lived through the Nazi occupation of Warsaw, then was sent to a Siberian gulag before managing to make his way to the Battle of Monte Cassino, which he somehow also survived. All of these survivals, remarkable enough on their own, Joe traced to a single moment of blind chance in a Warsaw square one day in 1939. There was, he told his son, ‘only one moral’ to take: ‘I was lucky.’ Without that, no Joe, and no David Flusfeder either. The same claim, more or less, is what DBC Pierre makes for his own presence on Earth today. His moment of luck came at the age of four, when he ‘featured alongside an Eastern Brown Snake’ on the cellar stairs of his childhood home and lived to tell the tale. This is a case of what Pierre terms ‘vivid maths’: long odds of the snake being there in the first place; short odds of him surviving the meeting.
Both Joe Flusfeder’s and Pierre’s near misses point up something crucial about luck. It is, by definition, personal. Luck is what comes into being when random (or at the least complexly contingent) processes intersect with our needs or desires. Without us betting on it, a pair of dice
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk