Stephen Mulhall
Immoral Science?
Hitler’s Philosophers
By Yvonne Sherratt
Yale University Press 302pp £25
The relationship between the Nazis’ rise to power in Germany and the broader European intellectual culture within which it took place has generated much passionate debate. George Steiner, for example, has famously suggested that the Nazi era may have been made possible by political, moral and religious ideas and attitudes – both traditional and distinctively modern – that one might rather have expected to justify principled opposition to a viciously nationalist, racist and ultimately genocidal ideology. In her sobering study, Yvonne Sherratt approaches this perplexing but fateful issue by focusing exclusively on the ways in which philosophers were caught up in this mid-20th-century catastrophe.
Noting that Hitler himself was concerned with providing a philosophical underpinning to his regime, Sherratt picks out three dimensions of the relationship Nazism established with the Enlightenment traditions that were (and still are) central to German cultural self-understanding. She tracks the uses Hitlerite intellectuals made of the ideas of Kant,
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk