Ann Wroe
Delirium Regens
The Man Who Believed He Was King of France: A True Medieval Tale
By Tommaso di Carpegna Falconieri (Translated by William McCuaig)
University of Chicago Press 220pp £13
Early in October 1354 Giannino di Guccio, a merchant of Siena, was told that he was the lost heir to the kingdom of France. He had been switched soon after birth by his wet nurse and then taken away. The man who told him this was Cola di Rienzo, the governor of Rome, who then knelt and kissed his foot. This was more than enough to turn the head of an ordinary middle-aged dealer in wine and wool, with a wife and children at home. He accepted the fantasy. From that point Giannino, equipped with a borrowed seal and false attestations, surrounded by conniving Jewish merchants and false friars, took his campaign on the road.
As Jean I, the descendant of Hugh Capet (who, ironically, was often said to have been a butcher), Giannino would have had a better claim than either Edward III or Jean II, who were then struggling for the throne of France. He would also carry, as the heir to Louis
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk