John Gray
The Earth Exhales
The Vanishing Face of Gaia
By James Lovelock
Allen Lane/The Penguin Press 192pp £20
He Knew He Was Right: The Irrepressible Life of James Lovelock and Gaia
By John Gribbin and Mary Gribbin
Allen Lane/The Penguin Press 356pp £20
Unlike the big climate shifts of the geological past the one that is presently under way is a result of human activity. Despite a determined rearguard action by so-called sceptical environmentalists, there is no reasonable doubt that greenhouse gases released by industrialisation, together with the destruction of forest for farming and more recently bio-fuels, are at the back of global warming today. Possibly cosmic factors may also be at work – sunspot cycles, or whatever. But a mass of scientific evidence points to humanly produced carbon emissions over the past couple of hundred years as being the primary cause of the current process of global warming.
Humans started this process, and it is easy to conclude that humans can stop it. That has long been the Green refrain, now echoed by politicians in all parties. James Lovelock takes a different view: the planet is not a mechanism that humans can use as they please, winding it
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk