Sarah Wise
Living The Low Life
London Labour and the London Poor: A Selected Edition
By Henry Mayhew, Edited by Robert Douglas-Fairhurst
Oxford University Press 472pp £12.99
'A picture of life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it.' This was Thackeray in 1850, on reading Henry Mayhew's 'Labour & The Poor' columns in the Morning Chronicle newspaper. City life had coerced the poor into adopting elaborate strategies for scavenging a bare living; the ingenuity of their entrepreneurship, the tenuous nature of their hold on life, their suffering and stoicism but also the regular belly-laughs of their world, tumble from every page of Mayhew's reports, which he expanded in 1861 into a book in four volumes.
The corn-salve seller exhibits what he claims is a large corn 'from the honourable foot of the late-lamented Sir Robert Peel' – 'a Free Trade corn', he calls it during his patter. Dick the Dollman hides the legs of his substandard wares as he touts them, because they
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk