Louis Barfe
From Here to Modernity
Ernö Goldfinger: The Life of an Architect
By Nigel Warburton
Routledge 197pp £30
THE ARCHITECT ERNO Goldfinger was a man of many paradoxes. He was the son of a-wealthy lawyer and the grandson of a vice-president of a bank, yet he was a lifelong Marxist. Despite his politics, in later life he craved a knighthood. He bullied his staff and paid them less than the-going rate, yet he was also capable of immense generositv and kindness towards them. He was a perfectionist, and yet he delegated most of the detailed work on his buildings to those same underpaid assistants. He was a rampant egomaniac, yet he has no gravestone. Not to put to fine a point on it, he was an interesting sort.
I didn't realise exactly how interesting until I read Nigel Warburton's biography of this flamboyant Polish- Hungarian, although I did have a decent working knowledge of his buildings. I particularly admired his own house at 2 Willow Road, Hampstead, and the starkly beautiful Trellick Tower in Notting Hill, as well
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk