Andrew Taylor
Mappa Mundi
Imagined Corners: Exploring the World's First Atlas
By Paul Binding
Review 320pp £25
The Mapmakers' Quest: Depicting New Worlds In Renaissance Europe
By David Buisseret
Oxford University Press 250pp £20
MAPS ARE MUCH too important to be left to geographers and travellers. For centuries they were left to them, and treasures of incalculable value were lost as a result. We have stories of the great globe constructed by Crates of Mallus around 140 BC, descriptions of the maps that Ptolemy of Alexandria may or may not have drawn during the second century AD, and copies of the great medieval map of the world that was discovered in Ebstorf, in Germany, in the nineteenth century and destroyed by Allied bombers in the twentieth; but none of the originals has survived. The history of cartography is the frustrating study of what is left behind.
The sixteenth century, when map-makers were charting the greatest expansion in geographical knowledge in the history of the world, was a time that called for a man with the passions of a collector, the insight of a publisher, and the ambition of an entrepreneur. Abraham Ortelius qualified on all three
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk