Selina O’Grady
A Life of Experiment
Mary Wollstonecraft: A New Genus
By Lyndall Gordon
Little, Brown 576pp £25
'The personal is the political.’ We all remember this 1970s feminist call to consciousness. But it is perhaps Mary Wollstonecraft – eighteenth-century author of A Vindication of the Rights of Woman, wife of William Godwin, mother of Mary Shelley – who most embodies this mantra. She put the home at the centre of her doctrines, and her life was governed by the feminist struggle as much as her work was. But public knowledge of her lovers, of the two (rejected) offers she made to live in a ménage à trois, of her single motherhood and of her suicide attempts destroyed her reputation, and it was not until the 1970s that she re-emerged as the mother of feminism.
For Lyndall Gordon, biographer of Charlotte Brontë and Virginia Woolf, Wollstonecraft’s genius lies in her life. It was, according to Virginia Woolf, ‘an experiment from the start’. The daughter of a drunken bully, this self-educated companion, teacher and governess set out to become one of the first women to live
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk