Claire Lowdon
‘A Meaningful Life’
Margaret Atwood’s dystopian fiction is in a dystopian decline. In The Handmaid’s Tale (1985), there is plenty to object to – the mangled prose, for starters. But at least that novel holds together as a diverting though implausible ‘what-if’, in which fundamentalism and soaring infertility rates force the protagonist, Offred, to become a handmaid – a breeder – for the Republic of Gilead, formerly the USA.
Three decades on, chaos reigns in Atwoodlandia. The Heart Goes Last began as a short story called ‘I’m Starved for You’
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'Only in Britain, perhaps, could spy chiefs – conventionally viewed as masters of subterfuge – be so highly regarded as ethical guides.'
https://literaryreview.co.uk/the-spy-who-taught-me
In this month's Bookends, @AdamCSDouglas looks at the curious life of Henry Labouchere: a friend of Bram Stoker, 'loose cannon', and architect of the law that outlawed homosexual activity in Britain.
https://literaryreview.co.uk/a-gross-indecency
'We have all twenty-nine of her Barsetshire novels, and whenever a certain longing reaches critical mass we read all twenty-nine again, straight through.'
Patricia T O'Conner on her love for Angela Thirkell. (£)
https://literaryreview.co.uk/good-gad