How often do we remark on the way a book has been put together – beyond perhaps cursing such things as the smallness or the greyness of the type, the overemphatic display of chapter or section headings, or the eccentric positioning of page numbers? While a typographer’s skill should be largely invisible, the path to a legible, well-articulated text is a complex one. This admirable manual is itself a model of how such things should be done. The niceties it deals with would astonish the ordinary reader. Although a great deal more detail is provided than any but the professional would need to know, many of the main topics covered must be of general interest. A greater awareness of these fundamentals could help us all – and reviewers in particular – to a better appreciation of a well- made book, not least to discover the root of our dissatisfactions.
Follow Literary Review on Twitter
A single book can change a life. Imagine what unfettered access to books for a lifetime could do.
We’re offering this to 1 lucky person, & we want to spread the news far and wide! Followers & fellow travellers, please RT & help spread the word.
'This rude spectral activity was a far cry from the moaning and chain-clanking traditionally associated with hauntings. It had a distinctly modern flavour.'
@LucyLethbridge on a real life haunting.