Alan Rafferty
Accident-Prone Author
Oracle Night
By Paul Auster
Faber & Faber 243pp £15.99
Collected Prose: Autobiographical Writings, True Stories, Critical Essays, Prefaces and Collaborations with Artists
By Paul Auster
Faber & Faber 512pp £25
IN 1999 PAUL Auster instigated the National Story Project in America. The idea was that people would submit anecdotes and other factual accounts which 'defied our expectations about the world ... in other words, true stories that sounded like fiction'. There were over four thousand entries, and the resulting radio shows and book constitute a remarkable archive of what Auster called 'reports from the front lines of personal experience'. However, the project also served as an investigation into one of the quandaries at the centre of Auster's work: what makes a story true?
It's a puzzle he re-examines in his latest novel, Oracle Night. Sidney Orr, the narrator, is a writer living in Brooklyn and slowly recovering from an accident so severe that his doctors think he should have died, who buys a curiously enchanting blue notebook in an exotic stationery store that
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner