From the February 2013 Issue Road to Nowhere The Last Days of Detroit: Motor Cars, Motown and the Collapse of an Industrial Giant By Mark Binelli LR
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'Fiona Shaw, in Jonathan Miller’s production, is the best shrew I have seen. She starts off in a mustard yellow dress with a mustard sharp tongue.'
From the archive, Kate Kellaway on a 1988 production of 'The Taming of the Shrew'.
http://ow.ly/TWfX50y2Udw
'He was not a revolutionary at all of course. He was only marginally a socialist. His tradition was rooted in the Liberal aristocracy, and his politics were entirely bounded by Parliament.'
From the archive, Paul Foot on Tony Benn's diaries.
http://ow.ly/3VBf50y0Ebe
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