March 1994 Issue This is an incomplete listing of issue contents Jump to: Biography | History | Women | Art & Artists | Biography | General | Native Fiction Biography Rebecca Fraser She Did it Her Way Charlotte Brontë: A Passionate Life By Lyndall Gordon Susan Elkin The Little Woman who Started a Civil War Harriet Beecher Stowe: A Life By Joan D Hedrick LR History Sebastian Faulks First Scandal Sheets Private Lives and Public Affairs: The Causes Celebres of Prerevolutionary France By Sarah Maza Julian Fellowes Tell Us More About the Fat Empress The Habsburg Monarchy 1618–1815 By Charles Ingrao LR Women Jessica Mann Will Appeal Even to Anti-Wimmin Readers A History of Women in the West Vol IV: Emerging Feminism from Revolution to World War By Geneviève Fraisse & Michelle Perrot (edd) LR Linda Grant Another Victim The Myth of Male Power: Why Men Are the Disposable Sex By Warren Farrell Art & Artists Julian Barnes Genuflexions The Collected and Recollected Marc By Mark Amory (ed) Biography Francis Wheen Too Soft on Worzel Michael Foot By Mervyn Jones General Robert Nye Will Three Survive? The Oxford Companion to Twentieth Century Poetry in English By Ian Hamilton (ed) Native Fiction Nick James Blind Man in Trouble How Late it Was, How Late By James Kelman LR
Susan Elkin The Little Woman who Started a Civil War Harriet Beecher Stowe: A Life By Joan D Hedrick LR
Sebastian Faulks First Scandal Sheets Private Lives and Public Affairs: The Causes Celebres of Prerevolutionary France By Sarah Maza
Julian Fellowes Tell Us More About the Fat Empress The Habsburg Monarchy 1618–1815 By Charles Ingrao LR
Jessica Mann Will Appeal Even to Anti-Wimmin Readers A History of Women in the West Vol IV: Emerging Feminism from Revolution to World War By Geneviève Fraisse & Michelle Perrot (edd) LR
Robert Nye Will Three Survive? The Oxford Companion to Twentieth Century Poetry in English By Ian Hamilton (ed)
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With just a few days to go until the first issue of the new decade, does anyone recognise the stern figure on our February cover?
'Fiona Shaw, in Jonathan Miller’s production, is the best shrew I have seen. She starts off in a mustard yellow dress with a mustard sharp tongue.'
From the archive, Kate Kellaway on a 1988 production of 'The Taming of the Shrew'.
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From the archive, Paul Foot on Tony Benn's diaries.
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