Richard Overy
Breaches of Civilisation
The Age of Catastrophe: A History of the West, 1914–1945
By Heinrich August Winkler (Translated by Stewart Spencer)
Yale University Press 998pp £35
Heinrich August Winkler is the doyen of modern German history writing. He has behind him a string of distinguished books on the modern age, very few of which have made their way into the English language. This neglect has finally been put right with a splendid translation of his magisterial study of the ‘West’ in the years between 1914 and 1945, first published in Germany in 2011. It is an indication that the British market is a tough nut to crack that the English title is The Age of Catastrophe, as indeed it was, while the original German title translates as ‘History of the West: The Period of World Wars’. ‘Catastrophe’ will certainly sell more copies, but it is surely arguable that the real catastrophe engulfed Eurasia, from Eastern Europe to Japan. A ‘History of the West’ on its own would in the end raise fewer questions.
The first question is, of course, what Winkler understands as the ‘West’. This is never fully addressed in the book, which in fact covers the history of tsarist Russia, the Soviet Union, China and Japan as well as the conventional ‘West’, embracing the United States and the parliamentary regimes in Europe. Winkler insists that Germany is at the centre of this region and that German responsibility for the cataclysms beginning in 1914 and 1939 makes it possible to speak of a ‘German catastrophe’ as much as a general catastrophe of the
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
For years, the classical tradition has trained female musicians to do away with their vocal break, smoothing it over in the quest for an idealised tone.
@MarenMeinhardt explores the politics and ideas that have controlled the female voice.
Maren Meinhardt - While the Music Lasts
Maren Meinhardt: While the Music Lasts - Vocal Break: On Women, Music and Power by Lauren Elkin
literaryreview.co.uk
Dogs are everywhere in art, at the feet of scholars and St Jeromes, posing with their owners and striding through Paris.
What can we learn about ourselves, Kirsten Tambling wonders, from the ways we depict our animal companions?
Kirsten Tambling - Artist’s Best Friend
Kirsten Tambling: Artist’s Best Friend - The Dog’s Gaze: A Visual History by Thomas W Laqueur
literaryreview.co.uk
Happy May Day! What better way to spend the long weekend than reading the latest from @Lit_Review including @MarenMeinhardt on women in music, @michaelreid52 on Lula, @rix_harriet on trees, @jgriffiths on the Chinese internet and so much more: http://literaryreview.co.uk