Frank Lawton
Bridge Too Far
Tell Them of Battles, Kings and Elephants
By Mathias Enard
Fitzcarraldo 137pp £10.99
What is perhaps most striking about Tell Them of Battles, Kings and Elephants is its slightness. The latest work to appear in English by Mathias Enard – the heavily garlanded darling of French letters – is something of a departure from previous offerings. Whether it’s the monolithic heft of the 500-page, single-sentence Zone or the Prix Goncourt-winning Compass, we’ve become used to associating Enard with a broader publishing trend: the multipurpose literary novel that you can either read or use as a doorstop. Tell Them of Battles is an all-round thinner affair, and not merely because of its length.
Born in France, a resident of Barcelona, a scholar of Arabic and Persian, and the proprietor of a Lebanese restaurant, Mathias Enard explores in his writing the collusions and collisions between East and West. If we were to indulge in some metaphorical thinking, we might liken his oeuvre
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk