Dominic Sandbrook
Busting the Myth
The 60s Unplugged: A Kaleidoscopic History of a Disorderly Decade
By Gerard DeGroot
Macmillan 509pp £20
‘You don’t understand,’ an American history professor once said to me of the 1960s, wagging an avuncular finger. ‘You had to be there.’ Coming from somebody who had spent his life studying the nineteenth century, it seemed a particularly silly thing to say. But then, as Gerard DeGroot points out in a thoughtful introduction to his new book, there are many people for whom the myth of the Sixties has become ‘something sacred’, a totem of high-minded idealism regularly invoked as a reprimand to our own supposedly cynical age. ‘In no other period of history’, he writes, ‘has canon been allowed so freely to permeate analysis.’
Books celebrating the youthful idealism of the late Sixties are ten a penny, particularly across the Atlantic, so it is refreshing to read one that takes a mercifully clear-sighted view of the decade. DeGroot does remember the period, but only just: his earliest childhood memory is of the morning after
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk