Dominic Sandbrook is best known for four hefty books, beginning with Never Had It So Good in 2005, which together constitute a voluminous survey of the cultural, social and political history of Britain from 1956 to 1979. When they appeared, these books felt fresh and surprising in the way they mixed the high serious with the seemingly banal. They paid as much attention to caravanning, Berni Inns, boil-in-the-bag meals, easy listening music and Crossroads as they did to Cabinet meetings, protest marches and the cultural interests of the metropolitan middle class who generally control our idea of the zeitgeist. Sandbrook showed himself to be an expert at uncovering yesterday’s ephemera, making good use, it seemed, of what has been one of the great windfalls for contemporary historians in recent years: the digitising of newspaper and magazine archives, allowing an era’s transient fads and fixations to be unearthed through keyword searches. Like David Kynaston,
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Though 'the hotel had a reputation as the area’s best, its staff were not used to looking after world leaders, so the arrival of Cuba’s new strongman, Fidel Castro, came as something of a shock.'
@dcsandbrook on @simonhallwriter's 'Ten Days in Harlem'.
'After all, who knows what anybody is really like, or what they really think? The biographer – same as a painter of portraits – cannot help but reproduce himself to some degree.'
From the archive: Beryl Bainbridge talks to Sebastian Shakespeare.
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