David Annand
Death of the Subject
In the delightful film adaptation of Michael Chabon’s Wonder Boys, Hannah Green says of Professor Grady Tripp’s 2,611-page manuscript:
You know how in class you’re always telling us that writers make choices? … And even though your book is really beautiful, I mean, amazingly beautiful, it’s, it’s at times, it’s, very detailed. You know, with the genealogies of everyone’s horses, and the dental records, and so on. And, I could be wrong, but it sort of reads in places like you didn’t make any choices. At all.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Has the printed book finally outlived its span?' asks @AdamCSDouglas. 'If so, how long can the rare book trade continue? And how much longer can we keep flying in fat-bellied jets to gather in some foreign land to exhibit our wares?'
https://literaryreview.co.uk/how-long-can-we-keep-doing-this
'The capital is revealed as a frightening, roiling place of disease and debauchery, the heads of traitors displayed on spikes, the sky leaden with fumes and fog.'
@MirandaFrance1 on Maggie O'Farrell's new plague-era novel, 'Hamnet'.
https://literaryreview.co.uk/love-in-the-time-of-plague-2
I thoroughly enjoyed @MyBiggestLuke’s deliciously dark and funny new novel THEFT. My piece for @Lit_Review:
https://literaryreview.co.uk/on-deaf-ears
@andothertweets @stefantobler