Andrew Robinson
Delhi Mix
The Peacock Throne
By Sujit Saraf
Sceptre 754pp £12.99
Fireproof
By Raj Kamal Jha
Picador 388pp £12.99
During the 40th anniversary of Indian independence in 1987, I interviewed Prime Minister Rajiv Gandhi in Delhi for The Independent. I admit to giving him an easy ride without reference to the breaking Bofors corruption scandal, which would for ever dog his name. For I lacked the confidence, and frankly the commitment, to enter the labyrinth of Indian politics. Yes, India is the world’s most populous democracy, but how many of us can name its prime ministers since Rajiv Gandhi’s fall in 1989?
Sujit Saraf’s massive novel about Delhi may be the first to make the modern Indian political world interesting – if hardly appetising – to outsiders. Novelists such as Salman Rushdie have dealt with politics, but not put it centre stage. A former prime minister, Narasimha Rao, tried with The Insider
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk