David Jays
Doing the Watusi
Time to trip once more ‘the social fantastic’, as Patrick McCabe describes his distinctive fictional mode. Novels like The Butcher Boy and Breakfast on Pluto are bedded in a burlesque version of the recent Irish past, savage and comic in equal measure. Here it’s the 1960s which are both the cultural territory and shifting moral climate that shape and ultimately betray the narrator, Christopher ‘Pops’ McCool.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Sabotage became so prevalent that bankers even created their own terms – ‘asymmetric information’, ‘lack of financial literacy’, ‘the principal-agent dilemma’ – to describe how they might turn a dime from customers’ gullibility or ignorance.'
https://literaryreview.co.uk/master-criminals-of-the-universe
'Unlike much that was extracted from India, these paintings were not plunder, and those who created them were properly remunerated and often received due credit.'
@PParkerWriting on 'Forgotten Masters: Indian Painting for the East India Company'.
https://literaryreview.co.uk/artists-for-hire
‘"I feel", Lowell told Hardwick ... "as if I were pulled apart and thinning into mist, or rather being torn apart and still preferring that state to making a decision."'
Richard Davenport-Hines on the letters of Robert Lowell and Elizabeth Hardwick.
https://literaryreview.co.uk/yours-unfaithfully-2