Bryan Appleyard
Fascinating Algorithms
Colliding Worlds: How Cutting-Edge Science is Redefining Contemporary Art
By Arthur I Miller
W W Norton 424pp £22
This book may be the only extant publication in which the word ‘electrifying’ and the name C P Snow appear in the same sentence. ‘Tweedy’ maybe, ‘donnish’ certainly, but ‘electrifying’ never.
In fairness, Arthur I Miller, a physicist and historian of science, is not referring to Snow the man but to his 1959 lecture ‘The Two Cultures’. Again, however, electrifying is hardly the word for a rather liverish complaint about how people in the humanities know nothing about science (and, sort of, vice versa). This became for a while ‘an issue’ and Snow’s analysis is still occasionally evoked to describe what is seen as a lamentable intellectual failing.
It wasn’t and it isn’t. For at least 250 years the impact of science on the humanities has been immense and fundamental, though often negative, and, in the last twenty-five or so years (since the publication of Stephen Hawking’s A Brief History of Time), a wave of popular science publishing
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
How to ruin a film - a short guide by @TWHodgkinson:
Thomas W Hodgkinson - There Was No Sorcerer
Thomas W Hodgkinson: There Was No Sorcerer - Box Office Poison: Hollywood’s Story in a Century of Flops by Tim Robey
literaryreview.co.uk
Give the gift that lasts all year with a subscription to Literary Review. Save up to 35% on the cover price when you visit us at https://literaryreview.co.uk/subscribe and enter the code 'XMAS24'