A theme running through most of these highly accomplished stories is the way we evade the dangerous truth by means of the fictions, lies, and compromises with reality which we perpetrate in order to keep a marriage, a love affair, or a friendship going, or to preserve an image of ourselves. As fictions about the fiction-making instinct they achieve at their best – and most of them are very good – a complex but unforced ambiguity in which it becomes difficult or impossible to be sure finally who is lying or whether one character is only pretending to believe the fictions of another.

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