Patrick Porter
Fingers Crossed
The Age of Deception: Nuclear Diplomacy in Treacherous Times
By Mohamed ElBaradei
Bloomsbury 340pp £20
How the End Begins: The Road to Nuclear World War III
By Ron Rosenbaum
Simon & Schuster 304pp £20
In January 1997, President Boris Yeltsin opened his nuclear suitcase. Russian observers had mistaken a Norwegian weather satellite for an incoming missile, and his advisers told him that he had only minutes to launch retaliation. A catastrophic major war and a nuclear winter could have begun – by accident. Like other similar near misses, this epitomises the enduring terrors of nukes. It shows the susceptibility of a deterrence system to human error; the extremely short windows in which leaders must make decisions about the future of the species; and the hair-trigger alert status of these weapons. Such dangers are explored in Mohamed ElBaradei’s forthright The Age of Deception and Ron Rosenbaum’s more textured, idiosyncratic and interesting How the End Begins.
In different ways, both men argue that we can no longer live with nuclear weapons. Despite the technocratic, pseudo-scientific language and doctrines that cloak these systems, we must rely on dumb luck as much as rational design for our safety. This was true of the Cold War, with
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk