Christopher Wood
Freud’s Fallacies
Freud on Women: A Reader
By Elisabeth Young-Bruehl (ed)
The Hogarth Press 416pp £20
Woman, for Freud, was a problem he never completely felt he had cracked. Towards the end of his life, he declared, shoulder-shrugging:
'That is all I have to say to you about femininity. It is certainly incomplete and fragmentary and does not always sound friendly ... If you want to know more about femininity, enquire of you own experiences of life, or turn to the poets, or wait until science can give you deeper and more coherent information.'
Freud cannot have believed this would still the voices raging over his analysis of female sexuality, and indeed it did not.
Peter Gay, in his recent biography, expresses the popular view when he attributes Freud's attitudes to women to 'cultural conservatism' and his 'Victorian style'. This anthology to an extent backs him up: citing 'acuteness of comprehension' and 'lucid objectivity' as masculine qualities shows much unquestioning conservatism, and is not untypical
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk