James Kidd
Friends with Benefits
Subtle Bodies is Norman Rush’s fourth work of fiction, although he is so unheard of outside America that British readers may be forgiven for believing it is his debut. This book is not an obvious candidate to compel a literary coronation. The slimmest novel in Rush’s corpus, it has an opening which gives a fair impression that it might be his slightest. Its frenetic pace, zesty tone and enjoyably madcap premise flirt pleasingly with screwball, as if Rush has overdosed on late Woody Allen or been seduced by superior chick lit.
We find our hero, Ned, in the middle of a marital row, dashing from San Francisco to New York to attend the funeral of an old friend, Douglas. Ned and his wife, Nina, have been trying to conceive and his departure comes slap bang in the middle of her most
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'The trick of a successful mercenary ... was somehow to get on almost as well with your enemies as your allies, since those two positions could be reversed at dizzying speed.'
Sarah Dunant on the life of Federico da Montefeltro, Duke of Urbino.
https://literaryreview.co.uk/scholar-in-arms
'McDormand has come closer to Lady Macbeth in some of her previous grimly comic performances ... Here she can convey only the banality of evil, as when she fussily curtails the banquet after Macbeth’s hallucination.'
https://literaryreview.co.uk/come-thick-night
'"Extinct" comprises eighty-five essays on defunct objects, from arsenic wallpaper to the Zeppelin. The format does not immediately inspire confidence ... but "Extinct" turns out to be more satisfying than one might expect.'
https://literaryreview.co.uk/ode-to-an-ashtray