Henry Gee
Getting the Look
Face Value: The Irresistible Influence of First Impressions
By Alexander Todorov
Princeton University Press 327pp £27.95
Cast your mind back to 1910. That was when the Romanian sculptor Constantin Brâncuși met Hungarian art student Margit Pogany in Paris. Years later Brâncuși carved her portrait in marble from memory. He refined Pogany’s features down to their simplest form – hardly more than arching brows and a long, straight nose – until it could have been a portrait of anybody. (Danaïde, one of the bronzes based on this sculpture, is in the collection of Tate Modern.) Brâncuși invited Pogany to his studio to view the finished work. She recognised it as herself at once.
It’s all in the brows, you see. We humans have much less hairy faces than other primates. Our eyebrows serve to break up the monotonous flat plane of our smooth, high foreheads, which are in turn framed by our hairlines. You might think individuality is all about the eyes, proverbial
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Alfred, Lord Tennyson is practically a byword for old-fashioned Victorian grandeur, rarely pictured without a cravat and a serious beard.
Seamus Perry tries to picture him as a younger man.
Seamus Perry - Before the Beard
Seamus Perry: Before the Beard - The Boundless Deep: Young Tennyson, Science, and the Crisis of Belief by Richard Holmes
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Novelist Muriel Spark had a tongue that could produce both sugar and poison. It’s no surprise, then, that her letters make for a brilliant read.
@claire_harman considers some of the most entertaining.
Claire Harman - Fighting Words
Claire Harman: Fighting Words - The Letters of Muriel Spark, Volume 1: 1944-1963 by Dan Gunn
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Of all the articles I’ve published in recent years, this is *by far* my favourite.
✍️ On childhood, memory, and the sea - for @Lit_Review :
https://literaryreview.co.uk/flotsam-and-jetsam