Gordon Marsden
Give Us a Wave
Channel Shore: From the White Cliffs to Land’s End
By Tom Fort
Simon & Schuster 431pp £14.99
‘Behold, the sea itself/And on its limitless, heaving breasts, the ships’. Anyone who knows the stirring music that breaks over Walt Whitman’s words at the start of Vaughan Williams’s A Sea Symphony will find the same salty exuberance in the pages of Tom Fort’s new book, charting his east to west coastal journey.
Watery excursions occupy an honoured place in the English literary canon. In Fort’s case it’s not so much Jerome K Jerome’s Three Men in a Boat as one man on a bicycle. What the reader gets from this odyssey is a mixture of reportage, personal reminiscences about family holidays past and pertinent reflections on how the Channel coastline has interacted with the Englishness of the seaside, and all its quirks, charms and challenges.
Fort peppers his narrative with the bizarre and with the words of the visitors and residents he questions on his way about the hold the coast has on them. It is done somewhat in the
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘The Second World War was won in Oxford. Discuss.’
@RankinNick gives the question his best shot.
Nicholas Rankin - We Shall Fight in the Buttery
Nicholas Rankin: We Shall Fight in the Buttery - Oxford’s War 1939–1945 by Ashley Jackson
literaryreview.co.uk
For the first time, all of Sylvia Plath’s surviving prose, a massive body of stories, articles, reviews and letters, has been gathered together in a single volume.
@FionaRSampson sifts it for evidence of how the young Sylvia became Sylvia Plath.
Fiona Sampson - Changed in a Minute
Fiona Sampson: Changed in a Minute - The Collected Prose of Sylvia Plath by Peter K Steinberg (ed)
literaryreview.co.uk
The ruling class has lost its sprezzatura.
On porky rolodexes and the persistence of elite reproduction, for the @Lit_Review: