Kevin Power
God & Heroin
Original Sins: A Memoir
By Matt Rowland Hill
Chatto & Windus 299pp £16.99
The drug addiction memoir is, in its way, as formally rigid a genre as the vicarage mystery or the nurse-and-doctor romance. There will be scenes from an unhappy childhood. There will be episodes of squalor and degradation (toilets, those private nooks in public places, will feature heavily). There will be incidents of petty crime and scenes in which tearful partners announce that they can bear no more. There will be acts of ingenious trickery (addicts, of course, are masters of deception) and of fearful risk. There will be the moment when rock bottom is hit and, later, fragile pages charting a tentative recovery. There will be the final reckoning and a valedictory description of the addict’s gently meaningful post-addiction life. The genre’s abiding interest is closely linked to its formal predictability.
Original Sins is Matt Rowland Hill’s first book, and it’s a classic addiction memoir, in that it obeys the rigid dictates of the genre. But it might also become a classic in the other sense of the word, since it is really very good. Hill was born in south
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner