Peyton Skipwith
Grain Waves
The private-press world is somewhat arcane and tends to be little known and appreciated beyond those who work in it and outside the membership of obscure bodies such as the Wynkyn de Worde Society and the Double Crown Club – named respectively after Caxton’s assistant and an old paper size. Books printed by private presses seldom receive attention in the pages of Literary Review, the London Review of Books or other such publications for the reason that, being largely handmade, their print runs are small, individual volumes are expensive and review copies are not available. However, for those to whom the act of printing is a passion or obsession, the handling of fonts, paper, type and ink holds an irresistible attraction. Simon Lawrence of the Fleece Press is one such obsessive. When, several years ago, the Society of Wood Engravers (SWE) decided to produce a ‘modest publication’ to mark the 2020 centenary of its foundation, he was the natural choice to be its editor: his family had been supplying engravers with boxwood blocks and engraving tools – gravers, scorpers, bullstickers and spitstickers – since the late 1850s. The idea appealed to him: ‘Somehow my excited and fertile
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
This and two more newly available pieces from our October 1984 issue in our From the Archives newsletter. Sign up on our website so you never miss another dispatch.
Congratulations to @HanKangOfficial, winner of the Nobel Prize in Literature 2024.
We've lifted the paywall on Joanna Kavenna's review of The White Book from November 2017.
Joanna Kavenna - Carte Blanche
Joanna Kavenna: Carte Blanche - The White Book by Han Kang (Translated by Deborah Smith)
literaryreview.co.uk
Few surveys of British art exist. Those that do have given disproportionate space to recent trends and neglected the 150 years between Hogarth and Turner.
@robinsimonbaj examines what launched British artists of this era into the European stratosphere.
Robin Simon - The Wright Stuff
Robin Simon: The Wright Stuff - The Invention of British Art by Bendor Grosvenor
literaryreview.co.uk