Gillian Greenwood
Haroun in Hindsight
Haroun and the Sea of Stories
By Salman Rushdie
Granta Books 210pp £12.99
The publication of Salman Rushdie’s first book since The Satanic Verses has been and gone without upset or incident, a fact for which most of us will be grateful. Not that this should be surprising. There is nothing in the new book to offend on the scale of the content of The Satanic Verses, and however insoluble the mutual incomprehension between Islam and the West, most of us eventually grasped the point that The Satanic Verses nightmare was and continues to be a genuine reaction to a specific, if undeliberate, provocation, a reaction which was subsequently manipulated for a variety of political ends.
If there was no drama there was quite a lot of ballyhoo. I must declare an interest here as I produced a television film and interview with Mr Rushdie which caused a certain amount of press excitement. Publication day also coincided (quite by chance as far as I know) with
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Don't ask about the dress code, don't talk about your spouse too much, flirt with everyone
Andrew Martin on the rules, pleasures and pitfalls of living in Paris
Andrew Martin - Bobos versus Beaufs
Andrew Martin: Bobos versus Beaufs - Impossible City: Paris in the Twenty-First Century by Simon Kuper
literaryreview.co.uk
for the latest edition of @Lit_Review I worked on some excellent pieces – @MortenHoiJensen on Kafka
@ellafox_m on @mimpathy (Honor Levy)
@profrhodrilewis on Shakespeare novels
@edcumming on Kaliane Bradley
@zoeguttenplan on @NationalTheatre's Dickens show
wrote about MY FIRST BOOK (@GrantaBooks) for @Lit_Review, a book that I think makes difficult things look very easy: