This is a handy manual of the genre, designed to celebrate the current revival of political photomontage, by comparing it with its august origins in pre-war Germany. There is a brief art-historical monograph, but the bulk of the argument, like the book, is made up of pictures, selected on rather tendentious principles. The plates are divided into two sections: the first given wholly to the work of John Heartfield, the second to various contemporary European montage-makers, largely featuring the work of the German Klaus Staeck, and our own Peter Kennard.
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Cressida Connolly reviews a new biography of Sybille Bedford.
I have just spent a wonderful few minutes re-reading the best book review of the year in my opinion. It's by Piers Brendon in September's issue of @Lit_Review. Beautifully captioned as 'Jack the Lad', Brendon takes Fredrik Logevall's JFK: Vol.I apart! It's a laugh a minute. Ouch!
'Perhaps the real modern polymaths are the hidden ones who do not themselves grab the limelight but have the expertise to bring together different fields of knowledge: librarians, teachers, editors of literary journals…'