DRAMATIC IRONY ORIGINATED as a concept in studies of Greek tragedy and was located in the space between the ignorance of the characters on stage, who grasped at the future only through prophecies and omens, and the knowledge of the audience members, who knew their myths – who knew that Medea, to take one example, was going to kill her children, or that Oedipus, to take another, had relationship issues. The interest lay in the details, in how these catastrophes would work themselves out. The same could be said about a novel entitled Pompeii, set in AD79. We have a fairly clear idea of how it’s going to end.

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