Patrick O’Connor
High Notes
A few years ago, when I was interviewing the Argentinian tenor José Cura, he groaned at the publicity that was about to surround an exhibition of his photographs in Paris. ‘I know it’ll all be about the pictures taken by “The Tenor”,’ he told me. ‘Just that word – what does it mean?’ It is surprising how the image of the highly-strung tenor opera star has gradually replaced the prima donna in the popular imagination.
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'Of all modern English poets, Larkin is perhaps the one with whom most readers feel some imaginative affinity, a sense of having lived in the same world, with the same streets, the same unvoiced longings and anxieties.'
https://literaryreview.co.uk/hull-revisited
For the summer issue of @Lit_Review I wrote about THE GOLDEN RULE, @AmandaPCraig's latest: a lean, high-stakes drama touching on domestic violence, Generation Rent and video game design.
https://literaryreview.co.uk/murder-they-spoke
'He wrote obsessively and at tremendous length – as a youth William drew a witty sketch of his father vigorously beating a dead horse – and frayed his nerves in the process.'
John Banville charts the turbulent life of William James.
https://literaryreview.co.uk/the-pragmatists-progress