Rowland Manthorpe

Highland Games

The Deadman’s Pedal

By

Jonathan Cape 376pp £12.99 order from our bookshop

Alan Warner has written six previous books of electric impersonation, placing neon-tinged phrases in the mouths of characters far removed from his actual self. His great first novel, Morvern Callar, was written in the Scots dialect of a working-class, female Mersault; the brilliant The Sopranos was told in the hooched-up babble of a group of Catholic schoolgirls. The further from himself Warner goes, the more inventive he seems to be. It makes a certain kind of sense, then, to find his most autobiographical work to date told in his most subdued voice.


Follow Literary Review on Twitter