Kate Saunders
Home From Home
Foster
By Claire Keegan
Faber & Faber 196pp £6.99
The day after winning the Man Booker Prize, Howard Jacobson spoke of the typical judging panel and its collective fear of the comic, the difficult and the unknown, suggesting that ‘a beautifully written elegy set in Connemara is likely to disturb that panel a lot less’. He’s right, of course. As a former member of various judging panels I have given my nod to many such beautifully written elegies with barely a word of discussion. William Trevor, John McGahern – what’s to criticise? Your Irish elegy is the Haydn string quartet of the literary world.
Occasionally, I confess, I have grown tired of reading about rural Ireland. I have slightly resented the fact that beautiful prose seems to come so naturally to these gifted so-and-sos. Frankly, I am tempted to take against short stories like Claire Keegan’s for their sheer bloody perfection. Her
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘The Second World War was won in Oxford. Discuss.’
@RankinNick gives the question his best shot.
Nicholas Rankin - We Shall Fight in the Buttery
Nicholas Rankin: We Shall Fight in the Buttery - Oxford’s War 1939–1945 by Ashley Jackson
literaryreview.co.uk
For the first time, all of Sylvia Plath’s surviving prose, a massive body of stories, articles, reviews and letters, has been gathered together in a single volume.
@FionaRSampson sifts it for evidence of how the young Sylvia became Sylvia Plath.
Fiona Sampson - Changed in a Minute
Fiona Sampson: Changed in a Minute - The Collected Prose of Sylvia Plath by Peter K Steinberg (ed)
literaryreview.co.uk
The ruling class has lost its sprezzatura.
On porky rolodexes and the persistence of elite reproduction, for the @Lit_Review: