Tom Fort
Hook, Line & Sinker
Every Last Fish: What Fish Do for Us and What We Do to Them
By Rose George
Granta Books 320pp £20
It was a bold move for a publisher to commission a book on the murky and tortuous subject of the global fishing industry from an author who refuses to eat fish and develops seasickness every time she boards a boat. But Granta picked a winner in Rose George. She may know nothing about the glorious pleasure of chewing slowly on a scallop or biting through crisp batter into the firm, flaky flesh of a perfectly fried fillet of haddock but her appetite for unearthing startling and often shocking information about how these delicacies arrive on our plates is insatiable. She presents her material with as much aplomb as a top chef presenting a grilled Dover sole.
When I first looked at Every Last Fish, I feared I was in for another harrowing and dispiriting account of the plunder of our oceans in the mould of Michael Wigan’s The Last of the Hunter Gatherers (1998), Charles Clover’s The End of the Line (2004) and more recent cries of despair about the future of fishing. Although there is plenty in George’s narrative to make anyone who cares about such matters bury their heads in their hands at the folly of nations, she has cast her net wider than just the slaughter wrought by the vast trawls and hundred-mile lines of hooks deployed by the factory ships.
She signs up for a course to learn how to fry fish and chips – even though, as a vegetarian, she won’t eat the fish, or even the chips if they are cooked in beef fat (as they should be). At the chippie run by her instructor near York, she
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Margaret Atwood has become a cultural weathervane, blamed for predicting dystopia and celebrated for resisting it. Yet her ‘memoir of sorts’ reveals a more complicated, playful figure.
@sophieolive introduces us to a young Peggy.
Sophie Oliver - Ms Fixit’s Characteristics
Sophie Oliver: Ms Fixit’s Characteristics - Book of Lives: A Memoir of Sorts by Margaret Atwood
literaryreview.co.uk
For a writer so ubiquitous, George Orwell remains curiously elusive. His voice is lost, his image scarce; all that survives is the prose, and the interpretations built upon it.
@Dorianlynskey wonders what is to be done.
Dorian Lynskey - Doublethink & Doubt
Dorian Lynskey: Doublethink & Doubt - Orwell: 2+2=5 by Raoul Peck (dir); George Orwell: Life and Legacy by Robert Colls
literaryreview.co.uk
The court of Henry VIII is easy to envision thanks to Hans Holbein the Younger’s portraits: the bearded king, Anne of Cleves in red and gold, Thomas Cromwell demure in black.
Peter Marshall paints a picture of the artist himself.
Peter Marshall - Varnish & Virtue
Peter Marshall: Varnish & Virtue - Holbein: Renaissance Master by Elizabeth Goldring
literaryreview.co.uk