Emily Bearn
Is it Creative to make a Scene, or Just Bad Form?
Is it Creative to make a Scene, or Just Bad Form?
By Susie Boyt
Weidenfeld & Nicolson 192pp £9.99
The extraordinary thing about Characters of Love is not the ingredients – a virgin, an absent father, an unreliable lover and a sprinkling of nervous breakdowns – but the way in which Susie Boyt combines them.
Having abandoned her as a baby, Nell’s psychiatrist father reappears on her tenth birthday, presents her with ‘the sort of dress that a rich person’s doll would wear’ and starts taking her out once a week and stuffing her with cream cakes until she is sick. No sooner has she decided that her ‘heart belongs to daddy’ than he moves to America. Bi-annual postcards follow.
After a fatherless adolescence, Nell arrives in Oxford and falls for the tortured, intellectual allure of her English tutor, Marnie. A brief period of domestic bliss ensues – ‘he stroked her hair while they waited for the teas maid to come to the boil’ – broken only when the prettiest
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk