Paul Genders
It Ain’t Me Babe
Boy from the North Country
By Sam Sussman
Grove Press 325pp £14.99
It’s unlikely that an author’s book-jacket photo has ever invited such close scrutiny as Sam Sussman’s. In 2021, he published an autobiographical essay in Harper’s Magazine which raised the possibility that he was the son of Bob Dylan. Boy from the North Country, which is billed as a novel, expands on the essay without settling its central question, leaving the reader squinting once more at the author’s image, profuse curls, piercing gaze and all.
‘Strangers had stopped me in the gas station and health food store to tell me that I resembled him,’ the narrator tells us of his teenage years, when his suspicions about his parentage first emerged. His name is Evan – Sussman’s middle name – while the mother figure is referred to as June (Sussman’s mother seems to have been known as Fran). June works as a ‘holistic health practitioner’ from her farmhouse in upstate New York. When the book opens, Evan is twenty-six and living in London, having recently completed a literature degree at Oxford. He’s struggling to write a novel, but draws strength from the thought he might be the son of ‘the most gifted poet of the age’.
June has encouraged Evan to entertain that possibility while refusing – or being unable – to confirm it. She certainly knew the singer in her ‘early New York days’ as an aspiring actor, and it’s true that Dylan dropped in at the farm years later, approximately nine months before Evan
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
Literary Review is seeking an editorial intern.
Though Jean-Michel Basquiat was a sensation in his lifetime, it was thirty years after his death that one of his pieces fetched a record price of $110.5 million.
Stephen Smith explores the artist's starry afterlife.
Stephen Smith - Paint Fast, Die Young
Stephen Smith: Paint Fast, Die Young - Jean-Michel Basquiat: The Making of an Icon by Doug Woodham
literaryreview.co.uk
15th-century news transmission was a slow business, reliant on horses and ships. As the centuries passed, though, mass newspapers and faster transport sped things up.
John Adamson examines how this evolution changed Europe.
John Adamson - Hold the Front Page
John Adamson: Hold the Front Page - The Great Exchange: Making the News in Early Modern Europe by Joad Raymond Wren
literaryreview.co.uk