Jim Holt
Interview: Christopher Hitchens on his new book about the Special Relationship
One likes to be prepared when talking to Christopher Hitchens; he is, after all, one of the sharpest wits in fact or fiction, at least in Washington DC. So it was with a sinking feeling that I realised, just as my train was pulling out of New York's Penn Station en route to this nation's bosky capital, that I had left my diligently assembled list of questions concerning his new book, Blood, Class and Nostalgia (Chatto & Windus 398 pp £18.00), lying on the bed back at my apartment.
On arriving in Washington, I found that the hotel where I had a reservation was the site for a convention of gay deaf people, which made for lots of strange noises and giggling in the hallways. After a night of this I decided to take Hitchens up on his kind
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
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Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
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Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk