Joanna Kavenna
Khartoum Network
Virginia Woolf said, speaking from the perspective of the writer, that there’s no such thing, objectively, as a good or a bad novel, there’s just the novel you wanted to write. From the perspective of the reader, equally, there’s no such thing (objectively again) as a good or a bad novel – just the novel that moves you, that seems really felt and imagined by the author, lively and alive. This probably means that the more idiosyncratic the novel the better, because any writer straining to conform to the precepts of a genre, or the fashions of an age, may well end up suppressing his or her real self, deferring to other people’s maxims and theories and generally becoming a terrible phoney.
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'The relish with which we made for beaches, hills and dales as soon as the most stringent restrictions were lifted suggests a widespread craving for contact with the natural world not met by a brief turn around the local park.'
https://literaryreview.co.uk/those-dark-satanic-hills
Perception is a weird thing. Lawrence Durrell saw Hydra as a ‘great horned toad’ but Henry Miller thought it resembled a ‘huge loaf of petrified bread’. Niko Ghika painted it as a series of neat white and orange squares.
https://literaryreview.co.uk/the-call-of-the-wine-dark-sea
The minimalist Fumio Sasaki 'confesses that as he began to purchase fewer consumer goods, his meals shrank in size. He decluttered and lost weight. Accumulation is not just an economic way of life but a form of embodiment too. Enlightenment is reduction.'
https://literaryreview.co.uk/gardens-of-emptiness