Boyd Hilton
Liberty or Dearth
Perilous Question: The Drama of the Great Reform Bill 1832
By Antonia Fraser
Weidenfeld & Nicolson 318pp £20
As every schoolchild once knew – and will again if Michael Gove transforms the history curriculum so as to portray Britain as a ‘beacon of liberty for others to emulate’ – there were three parliamentary reform settlements in the 19th century. The Conservative government’s Reform Act of 1867 and the Liberal Reform and Redistribution Acts of 1884–5 were framed partly with an eye to democratic accountability – which citizens deserved and could be trusted with the franchise? – and partly by each party’s desire to reshape the electorate to its own advantage. By contrast the Whig Reform Act of 1832 was concerned not with individual rights or voter profiles or party politics but with the need for better government. Crown, Church and Parliament had all lost legitimacy, rapid urbanisation had thrown up huge conglomerations of people with virtually no institutions for social amelioration or policing, and there was also the fear of full-scale revolution, especially after the downfall of the Bourbon monarchy in France in 1830. The system looked broke and in need of fixing. In this sense the 1832 Reform Act was, in the words of the historian D C Moore, an attempt at a ‘cure’ rather than a ‘concession’ to democratic forces.
The first reform settlement also differed from the others regarding its process. The Reform and Redistribution Acts were settled swiftly by party leaders in secret bipartisan conclaves. The saga of 1866–7 was a great parliamentary affair that showcased the talents of Disraeli, Gladstone and Robert Lowe among others. The first
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
‘I have to change’, Miles Davis once said. ‘It’s like a curse.’
@rwilliams1947 tells the story of how Davis made jazz cool.
Richard Williams - In Their Own Sweet Way
Richard Williams: In Their Own Sweet Way - 3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans and the Lo...
literaryreview.co.uk
The Political Unconscious: Narrative as a Socially Symbolic Act by Fredric Jameson - review by Terry Eagleton via @Lit_Review
for the new(ish) April issue of @Lit_Review I commissioned a number of pieces, including Deborah Levy on Bowie, Rosa Lyster on creative non-fiction, @JonSavage1966 on Pulp, @mjohnharrison on Oyamada, @rwilliams1947 on Kind of Blue, @chris_power on HGarner