Geoff Nicholson
Likeable, Readable and Deceptively Profound
The paradox at the centre of High Fidelity is that while pop songs almost always involve love, passion and raw feeling, the kind of men who are most intensely addicted to pop music tend to be a bunch of loveless, passionless, unfeeling train spotters. Hornby sees a problem here.
The book’s hero and narrator is Rob Fleming, a man who thinks you can’t be a ‘serious person’ if you own less than five hundred albums. His is a slightly unusual case, however, since he’s the owner of a specialist record shop and is an occasional DJ.
He defines himself and
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
We've extended our February offer for a week, meaning you can still get a six-month subscription for only £19.99.
Click below for details.
https://www.mymagazinesub.co.uk/literary-review/promo/literaryfebruary/
'McCarthy’s portrayal of a cosmos fashioned by God for killing and exploitation, in which angels, perhaps, are predators and paedophiles, is one that continues to haunt me.'
@holland_tom on reading Blood Meridian in the American west (£).
https://literaryreview.co.uk/devils-own-country
'Perhaps, rather than having diagnosed a real societal malaise, she has merely projected onto an entire generation a neurosis that actually affects only a small number of people.'
@HoumanBarekat on Patricia Lockwood's 'No One is Talking About This'.
https://literaryreview.co.uk/culturecrisis