Peter Washington
Literary Lucubrations
Reading Matters: Five Centuries of Discovering Books
By Margaret Willes
Yale University Press 295pp £19.99
Books are heavy. This simple fact is well known to anyone who has had to move the contents of a bookcase, but weight is only the most obvious of their disadvantages. Books take up space that is at a premium in small houses, and they require constant maintenance to preserve them from time, rot, damp, dust, heat, cold and predators of every sort. They are often badly produced, expensive, awkward to handle, ugly, prone to collapse and full of mistakes. They also have a mysterious life of their own, breeding and travelling at will. However often you winnow your shelves, they fill up again before you know it, in my case in double rows. While valued volumes disappear, the unwanted multiply, seemingly of their own volition. You end up with three copies of The Bible in Spain but not one of The Bible of Amiens.
Books are, in short, a bloody nuisance. So why on earth would anyone want to collect them? And why do some people pursue them obsessively – an obsession that is all the stranger because many of the keenest collectors know everything about the provenance of their books, look at them,
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It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk