Mark Bostridge
Lives & Hard Times
‘Why do you do this? Write biography?’, asks the character of Benjamin Britten in Alan Bennett’s new play, The Habit of Art, currently at the National Theatre. ‘Why not make your own way in the world instead of hitching a lift on the life of someone else?’ Later in the play, Bennett has W H Auden express a similar viewpoint. A biographer is ‘invariably second-rank even when he or she is first-rate’.
These remarks made a friend of mine, who runs a literary festival, hoot with laughter. She says that, more than any other kind of writer, biographers – especially senior ones – tend to be overflowing with airs and graces, as if they had literally taken on the mantles
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
'The trick of a successful mercenary ... was somehow to get on almost as well with your enemies as your allies, since those two positions could be reversed at dizzying speed.'
Sarah Dunant on the life of Federico da Montefeltro, Duke of Urbino.
https://literaryreview.co.uk/scholar-in-arms
'McDormand has come closer to Lady Macbeth in some of her previous grimly comic performances ... Here she can convey only the banality of evil, as when she fussily curtails the banquet after Macbeth’s hallucination.'
https://literaryreview.co.uk/come-thick-night
'"Extinct" comprises eighty-five essays on defunct objects, from arsenic wallpaper to the Zeppelin. The format does not immediately inspire confidence ... but "Extinct" turns out to be more satisfying than one might expect.'
https://literaryreview.co.uk/ode-to-an-ashtray