Piers Brendon
Mass Murderers with PhDs
Hitler’s People: The Faces of the Third Reich
By Richard J Evans
Allen Lane 624pp £35
Who were the Nazis? This is the opening question in Richard Evans’s important study of some two dozen key figures in Hitler’s regime. The biographical approach to history has long been unfashionable, as he acknowledges, especially as the cult of the ‘great man’ achieved its apotheosis in the Third Reich. Yet he argues persuasively that only by examining individual personalities can we understand ‘the perverted morality that made and sustained the Nazi regime’. Of course, they have to be set in context and no one is better qualified to do this than Evans himself (who is a former colleague of mine). His book is enriched by the findings of recent scholarship and his pen portraits have all the excitement of novelty. Even his depiction of Hitler feels fresh. Far from being a loner devoid of personal life and the usual human feelings, says Evans, he indulged in both society and sex, stimulated by an aphrodisiac made from bulls’ testicles.
A long opening essay on the Führer is followed by three broad sections. The first is devoted to his ‘Paladins’, among them Göring, Goebbels, Himmler and Ribbentrop. The second anatomises the ‘Enforcers’, including Hess, Streicher, Heydrich and Eichmann. And the third deals with the ‘Instruments’: Hitler’s personal physician Karl Brandt, who supervised a programme for killing the ‘unfit’; the diarist Luise Solmitz, who, ‘drunk with enthusiasm’ for the dictator, denounced her liberal brother to the authorities; General Ritter von Leeb, typical of senior German officers who, despite serious qualms, obeyed Hitler’s injunction to close their hearts to pity and ‘proceed with brutality’; and Leni Riefenstahl, who deified Hitler in her film Triumph of the Will. Women actually form a small minority of Evans’s cast since Hitler excluded them from political life on the grounds that their task was to bear and rear children. They did play other roles, but feminism was anathema to the Nazis, who condemned it as a Jewish device to impede the generation of the Aryan race.
Churchill referred to Hitler’s acolytes as a criminal ‘gang’ and ever since there has been a tendency to view them as a bunch of hoodlums, sadists and psychopaths. Evans paints a rather different picture, portraying them as normal people in abnormal circumstances. Most were well-educated members of the middle class:
Sign Up to our newsletter
Receive free articles, highlights from the archive, news, details of prizes, and much more.@Lit_Review
Follow Literary Review on Twitter
Twitter Feed
It wasn’t until 1825 that Pepys’s diary became available for the first time. How it was eventually decrypted and published is a story of subterfuge and duplicity.
Kate Loveman tells the tale.
Kate Loveman - Publishing Pepys
Kate Loveman: Publishing Pepys
literaryreview.co.uk
Arthur Christopher Benson was a pillar of the Edwardian establishment. He was supremely well connected. As his newly published diaries reveal, he was also riotously indiscreet.
Piers Brendon compares Benson’s journals to others from the 20th century.
Piers Brendon - Land of Dopes & Tories
Piers Brendon: Land of Dopes & Tories - The Benson Diaries: Selections from the Diary of Arthur Christopher Benson by Eamon Duffy & Ronald Hyam (edd)
literaryreview.co.uk
Of the siblings Gwen and Augustus John, it is Augustus who has commanded most attention from collectors and connoisseurs.
Was he really the finer artist, asks Tanya Harrod, or is it time Gwen emerged from her brother’s shadow?
Tanya Harrod - Cut from the Same Canvas
Tanya Harrod: Cut from the Same Canvas - Artists, Siblings, Visionaries: The Lives and Loves of Gwen and Augustus John by Judith Mackrell
literaryreview.co.uk